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Three high school seniors find themselves out of the blue bestowed with superhero-like properties. Unlike most superheroes, they use this energy not for saving people, but for having fun. They pull pranks, impress girls and continue on flying joyrides. As they test their own newfound powers, they become close buddies… until one of them begins to shed control.
Found footage films have gotten a bad rap within the last year and this is just not necessarily because the formatting is flawed but considering that the format is being utilised poorly by bad movies. This is not true with CHRONICLE, a smart, fun, lean and mean twist with a superhero movie.
Both the superhero origin story along with the found footage film have each been done often – and, frankly, so poorly – that thinking about yet another attempt in each barely registers on the Richter scale of attention. Yet somehow a movie that is certainly both a found footage movie and also a superhero origin story deals with to inject new and exciting life in every genre.
As the tagline will go, the film subverts the actual old Uncle Ben maxim and watches what are the results when with great power comes no responsibility. Instead of a noble Peter Parker looking to fight crime, the three teenagers in CHRONICLE blessed with a superhuman form of telekinesis employ their newfound powers the best way you’d expect lots of actual teenagers to. They fuck with people in the mall, impress friends at the college talent show and grab drunk chicks at events.
Like CLOVERFIELD before the idea, CHRONICLE is an old story done with a new twist. The story here is usually hardly groundbreaking – it really is essentially X-MEN meets AKIRA – however in its execution, first-time director Josh Trank produces a film that would seem fresh despite an atmosphere of familiarity.
The film follows Tim (Dane DeHaan), the dorky one, who sets up the particular found footage format when he buys a well used video camera to turn the tables on his / her abusive father. But unlike CLOVERFIELD, where the steady-handed cinematography of Hud always felt manufactured, Trank and writer Max Landis locate a clever hook to aid in the filmmaking.
It starts with Andrew and another school girl who shoots video on her blog (one of the few things that rang false) utilizing their cameras to tell the story. But as the film progresses, Andrew upgrades his digicam and, with his powers, floats it around himself as if he were the star of their own perverse reality TV display. He’s a kid whom never had any purpose to feel good about himself and now, as his ego grows uncontrollable, he documents his unique every step. This gives Trank to be able to free Andrew from guiding the camera, allowing audiences to better meet up with the character that serves as both the hero and the bad guy. And in the film’s finally act, when the scope in the film grows exponentially, the use of surveillance cameras, news footage and amateur mobile phone video are all spliced in to increase the storytelling.
Chronicle Movie Online Stream | Chronicle Movie Online Stream